Three Dog Night in 1972

By Randal Hill
Guest Columnist

Editor’s Note: Randal C. Hill, Brandon, Ore., is a retired English teacher with a master’s degree. While attending college in Long Beach, Calif., he worked as a DJ at two radio stations. Later, he taught language arts at Fairvalley High School in Covina, Calif., where he offered “The Rock and Roll Years,” an elective fine arts class that featured invited guest speakers: Jan and Dean Bobby Vee, Freddy Cannon, to name a few. He has extensive writing credits including the first three editions of the House of Collectibles’ The Official Price Gide to Collectible Rock Records, which was reviewed on NBC’s Today show. He has done numerous personality profiles of rock and pop artist for the record-collector magazine Goldmine.

It was more — much more — than just another rock ‘n’ roll hit.

While “Black and White” became the third single by Three Dog Night to reach the top of the Billboard charts, the tune itself had been created in 1955 as a way to honor the landmark 1954 Supreme Court decision to end segregation in America’s public schools. “Our idea was to celebrate the event,” said Earl Robinson, the co-writer of the classic along with David Arkin, the father of actor Alan Arkin. “We had no idea that it would reach out as it did eventually.”

“Black and White” had been recorded by Pete Seeger in 1956 and Sammy Davis, Jr., a year later. But the song languished in the public consciousness until a Jamaican quintet called Greyhound cut a reggae version (a hit only in the UK) in 1971. During a European concert tour, members of America’s Three Dog Night heard the Greyhound offering on a Dutch radio station. Immediately they declared that this could be their next hit 45 on Dunhill Records.

Most pop-music fans were probably unaware that “Black and White” had been created originally from a different point of view. Both the Three Dog Night and Greyhound versions opened with the lines:

“The ink is black, the page is white

“Together we learn to read and write”

The tune was centered on racial equality, yes, but not as much as the original, which featured a different set of lyrics early in the song:

“Their robes were black, their heads were white

“The schoolhouse doors were closed so tight

“Nine judges all set down their names

“To end the years and years of shame”

Was Robinson discouraged about TDN’s leaving out key lyric elements of his work? Not really. “They condensed the most communicable parts into a single song number,” he answered. “You might call it a more unified whole.”

During their hitmaking years, Three Dog Night placed 21 Top 40 singles on the charts, with “Black and White” being the band’s third Number One disc, after “Mama Told Me (Not to Come)” in 1970 and “Joy to the World” the next year.

Three Dog Night had taken their name from an Australian expression for the coldest possible night for sheepherders who snuggled with their dogs to keep warm in the chilly nighttimes. The California-based aggregation featured a trio of lead singers — Danny Hutton (who sang lead on “Black and White”), Chuck Negron and Cory Wells. The group gave exposure to such on-the-rise songwriters as Randy Newman, Laura Nyro, Nilsson and Hoyt Axton.

TDN’s “Black and White” arrived near the end of America’s Civil Rights era, and while some of the all-important original lyrics had been excised, the overall message of the later recording remained strong and clear:

“The world is black, the world is white

“It turns by day and then by night

“A child is black, a child is white,

“The whole world looks upon the sight

“A beautiful sight

Yes. A beautiful sight indeed.